Central States Lawman and Outlaws Historic Assoc.
In the late 1800s - and early 1900s The River of humanity flowing west, was both wide and deep. Caught in the current of manifest destiny, were settlers, soldiers, business interests, and Outlaws. It was a perfect whirlwind of the Wild west.
G.C. Stevens
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John Wayne (as Quirt Evans) and Gail Russell (as Penelope Worth)
Photo Public Domain
Angel and the Badman. a love story about God, family values, commitment,
the law and the useless pursuit of violence.
"Each human being has an integrity that can be hurt only by the act of that same human being and not by the act of another human being."
-Quirt Evans
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On October 09th, Angel Studios will be releasing a remake of the John Wayne's Classic Western "Angel and the Bad Man." It has been quite a few years since I first saw the original version on T.V. but the 1947 version was one of the westerns that created the pattern for many westerns that followed. The original version was filmed in noir, but I chose to watch a colorized version, which turned out to be a great choice because Angel and the Badman was filmed on location in Sedona Arizona, Flagstaff Arizona and Monument Valley Utah. The colorized version really brought out the grandeur of the deserts and rock outcroppings of the region. I look forward to reviewing Angels Studios Version of "Angel and the Badman." when it's released.
Quirt Evans with the Quaker, Mr. Worth Photo public domain
Quirt Evans exhausted, falls into the arms of Penelope (Penny) Worth
The Plot
The story centers around a former Lawman turned outlaw, Quirt Evens, who according to the story, was a deputy with Wyatt Earp in Tombstone Arizona, until he handed his badge in, tried to build a cattle ranch, and then turned to a life of mayhem. The movie opens with Quirt Evans, mounted on a fast horse with a bullet in his back. How the bullet got there is left to the imagination of the movie goer. His horse gallops up to a farm on the edge of a desert road and he falls out of his saddle in-site of the farm's residents. The occupants of the farm are a family of Quakers who migrated into the west with a Quaker sect called "the friends." These adherents were stanch pacificists and humanitarians. The Worth family, Mr. and Mrs. Worth, their son, and most importantly, their young and faithful daughter, Penelope (Penny) Worth, took mercy on the injured cowboy and immediately began to care for him. Quirt is young man in deep trouble in outlaw country, in the wild west, where cattle rustling and gun play was an all-too-common occurrence. After he demands to be taken to the telegraph office, Quirt collapses into the arms of Penny Worth and taken into the Quaker home and placed in bed, Quirt becomes delirious and restless, Mr. Worth realizes what's wrong with him and retrieves Quirts six gun, unloads it, and places it in his hand and Quirt immediately settles down and goes to sleep, the scene emphasizes Quirts addiction and need for the six gun for his personal safety. The family summons a local doctor to help Quirt, Dr. Mangram, the good doctor is a rather wise man, and he immediately sees the problematic situation for what's it worth, and he tells Penny:
"But of course if you're determined to watch over him, Penny, perhaps you'd better take a pencil and paper with you. His first conscious words should be recorded. They may be of great interest to history... or more possibly to the United States Marshal! Who knows what violence is involved with his battered frame and his bullet holes."
Dr. Mangram, tries to warn the whole family that they are courting trouble by looking out for Quirt, and in many ways, the good doctor is right, but Quirt is direct and almost predictable and he has his own ideas about freedom and justice, that only a one time frontier Lawman could understand and Quirt had an ace in his pocket, because he was a well-known and feared former Lawman with a reputation of the six gun. Quirt eventually heals up and as he gets to know the family, he can see their kindness and their struggles and Penny can see that Quirt has led a violent life that centers on his gun and overrides his faith in God, and Penny isn't shy about pointing this out, and Quirt is smart enough to hear her. Quirt also learns that the Worth family has another problem, as their water supply has been cut off by an old and cantankerous rancher and neighbor who has dammed up the nearest stream that supplied water to the Worth farm. Quirt then visits the old man and uses his well-known reputation to convince the rancher to allow the water to flow. When the water spills onto the Worth farm, Penny asks Quirt if he used his gun to convince the rancher, he reassures her that he did not. Like so many westerns, Quirt's problems come home to roost because of an ongoing range war between cattlemen. The trouble between he and another outlaw by the name of Laredo Stevens becomes the center of the story and it the reasons for Quirts most recent bullet wound come into focus. This is the west, where at this time, cattle and bad men roamed free.
Guardian Angel
Another character in the story enters into the picture, he is a soft-spoken Lawman, Marshal Wistful McClintock, (Played by Harry Carey) who seems to have a special interest in Quirt. Their first encounter in the movie shows that they have mutual respect, but McClintock has a fatherly view of Quirt and he knows about what happened in Tombstone. He tells Penny some things about Quirt, but though his demeanor is quiet, concerned and knowledgeable, he reminds Quirt of his authority as a Lawman and warns him that hangman's noose could be in his future. McClintock, then clearly states that he is a patient man. He would be keeping a close eye on Quirt. McClintock is true to that word, and he is always in the background like a guardian angel.
The movie progresses through many cliche aspects of westerns. Shootouts and barroom brawls. The story culminates with an ambush on both Quirt and Penny who are on the trail together in a wagon. They are ambushed by Laredo Stevens and his fellow outlaws. A chase ensues, and the wagon carrying Quirt and Penny is driven off of a cliff into a river below. Penny is seriously injured. Quirt recues her and takes her to the Worth farm where Dr. Mangram is called in to assist her. The doctor explains to Quirt that her condition is serious, and it seems she might not survive her injuries. Quirt, then heads to town to find and kill Laredo Stevens and his outlaw gang in revenge for Penny. When he arrives in town, ready to challenge their hand, the outlaw gang is in a local saloon, and the Laredo gang is given bad information telling them the Marshal had left town. They see this as an opportunity to finish Quirt off. It's at this time that the Mr. & Mrs. Worth arrive with Penny in a wagon and she is alive and well. Quirt has a change of heart, and hands her his six gun, signaling that he is ready to change his life. Quirt hears Laredo Stevens taunting him, he quickly turns around and Laredo and one of his men pull their guns to shoot, but another shot rings out from the distance as Quirts guardian angel, Marshal McClintock is seen holding his Winchester rifle to his shoulder. He had not left town after all. The story has a happy ending.
A lobby card showing Marshal McClintock in the background, Quirts guardian angel.
The reimagining of the John Wayne classic western is directed by Julio Quintana and stars Academy Award winner Tommy Lee Jones, Zachary Levi, and Neal McDonough.
Synopsis: When feared outlaw Quirt Evans staggers onto a rancher's land with a bullet in his back, he expects a quick death, not mercy. But Penny, the rancher's daughter, offers him a chance at something he’s never had: a life beyond violence. However, the past doesn’t forgive. With the marshal closing in and an outlaw gang ready to burn the ranch to the ground, Quirt must decide what kind of man he’ll be when the world demands blood.
Quotes: “I’ve always wanted to produce a Western, and I’m grateful to have assembled such an incredible cast and crew to reimagine this classic,” said Producer Jaime Hernandez. “With themes of redemption and personal growth, combined with action, humor, and a touch of romance, we believe this film has all the elements to connect with a broad audience.”
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Sitting Bull / Photographed and published by Palmquist & Jurgens, Cor. Seventh and Robert Str., St. Paul Minn. Summary: Photograph shows Sitting Bull, three-quarter-length portrait, seated, facing front, holding a calumet. Courtesy of the Library of Congress.
The Palmquist & Jurgens Studio today is mostly known for its series of iconic photographs taken of Sitting Bull in 1884. Sitting Bull had first visited Saint Paul in March 1884, being accompanied by one of his wives, his nephew One Bull, Indian agent James McLaughlin and an interpreter. He returned again the same year on September 4th, this time accompanied by Colonel Alvaren Allen, the owner of the Merchant Hotel in Saint Paul where Sitting Bull had stayed during his first visit. During the earlier visit in March he sat for a photography session with the Palmquist & Jurgens studio, then located at 225 East Seventh Street. It has been reported that a dozen glass plate negatives were taken of Sitting Bull and an additional one of him together with his nephew One Bull. It clearly was not a chance undertaking, in fact Sitting Bull was actually permitted to enter into a contract with the photographers reportedly giving them the exclusive right to sell and market these twelve photographs, finished in the form of albumen print cabinet cards, for a one-year period. It is also certain that Sitting Bull was given supply of prints of the photographs, for him to either give away or to sell.
Sometimes a rather inexpensive purchase of a photo can yield a special find. When searching for antique photos, I find that it's very important for dealers (some advice here) of carte de visite's to display both the front and back of each photo. Seeing the antique portrait, carte or cabinet card form both sides tells much about the story of the photo. On most carte de visites, the photographer, used their photo as a business card (so to speak) and usually stamped his or her name and studio on the back (back mark) of the card, and in other cases, we sometimes find personal information written on these photos. Clues to the identity of the person in the photos are frequently found because of these notes. The identity of the photo here, a young man holding a book, remains a mystery, however the back mark on this photo indicated that the picture was from a city in Illinois that played a significant role in the American civil war, and that place was Springfield Illinois, Abraham Lincoln's home state.
Photo from the authors collection
I have a habit of looking at the back mark before I even view the photo
The back mark on this photo comes from the Capital Gallery West Side Square, Springfield Illinois, at first glance, It was apparent that this photo dated sometime between 1860 and 1865. Research revealed that photographer, C.H. Hall was well documented and records of the photographer being in Springfield showed up in several places. This first was on a military draft registration dated 1863-1865 and Hall is actually listed as a photographer on this document. (see below). But one thing I learned about C.H. Hall was that he was perfectly positioned to capture a very historic moment in Springfield in 1865, and that special moment was the interment of Abraham Lincolns remains at Oak Ridge Cemetery in Springfield. The photo which was credited to Hall by Freemans auction and the library of congress, connected him to a larger grouping that Freeman's auctions had sold for $3000. This story, in may opinion highlights the importance of back marks of antique photos.
The above photo shows a group of armed union soldiers that were guarding the entrance of the original tomb. Its worth noting that Abraham Lincolns body was stolen in 1876 and held for ransom
Collecting historic photos is a treasure hunt, that has yielded many surprising finds.
These are two photos that came out of Virginia, taken probably in the late 1800's to early 1900s. The above photo is a bit of a mystery and we don't know a lot about the photographer. But a very poetic expression of love was inscribed in the back of the photo. The second photo in this group was taken by Rufus Holsinger who a very well-known and prominent photographer in central Virginia. This was confirmed by the Albemarle Charlottesville Va. Historical Society. The names of the people who sat for these photos are both unknown.
Transcription
"Life [without] sweet love! Or it would be [A world] without a Sun—
[Or as a] snow-capped mountain, dark [Or as] midnights in one; [Or a] fair scene, without one spot to glad the waste, Without one blossom of delight, Of feeling, or of taste!"
Notes on Missing Text: The left margin has sustained significant paper loss. The missing or damaged words enclosed in brackets [...] are reconstructed based on
remaining visible letter traces and poetic context.
Photo by Rufus Holsinger
Rufus Holsinger was a prominent photographer here in Charlottesville and the Holsinger Studio he had established in the late 1800s was active until 1977. The University of Virginia Library's Special Collections has a vast collection of the studio's